Search results for "Rock art"
showing 10 items of 25 documents
Ocre, hematites y óxido de hierro: el problema terminológico = Ochre, Hematite and Iron Oxid: The Terminological Issue
2016
Los óxidos de hierro son prácticamente omnipresentes al analizar contextos, no solo referentes al arte rupestre, sino también en relación con toda una serie de actividades que podríamos considerar cotidianas en ambientes prehistóricos. Sin embargo, su estudio sistemático no ha comenzado hasta tiempos muy recientes. Fruto de ello, podría decirse que una parte de la literatura arqueológica no especializada en el campo de la pigmentología muestra, en ocasiones, cierta inexactitud terminológica. Con este documento pretendemos, a través de un análisis tanto de su funcionamiento, como de las propiedades geoquímicas y mineralógicas del ocre, la hematites y los propios óxidos de hierro, exponer la …
2017
We present a new multi-analytical approach to the characterization of black pigments in Spanish Levantine rock art. This new protocol seeks to identify the raw materials that were used, as well as reconstruct the different technical gestures and decision-making processes involved in the obtaining of these black pigments. For the first of these goals, the pictorial matter of the black figurative motifs documented at the Les Dogues rock art shelter (Ares del Maestre, Castellon, Spain) was characterized through the combination of physicochemical and archeobotanical analyses. During the first stage of our research protocol, in situ and non-destructive analyses were carried out by means of porta…
Design and implementation of an augmented reality application for rock art visualization in Cova dels Cavalls (Spain)
2019
[EN] Prehistoric rock art paintings, specifically rock-shelters exposed to environmental and anthropogenic factors, are usually faint and severely damaged, being them difficult to identify and understand by visitors. Augmented Reality (AR) supplements reality with virtual information superimposed onto the real world. This sensor-based technology in smartphones/tablets can improve the paintings experience displaying the 2D digital tracings overlapped onto the real scene (rock with faint paintings). This paper presents an AR application (app) developed in Cova dels Cavalls that shows a recreation of a possible original composition full of motifs with descriptive information to improve current…
Color degradation mapping of rock art paintings using microfading spectrometry
2021
[EN] Rock art documentation is a complex task that should be carried out in a complete, rigorous and exhaustive way, in order to take particular actions that allow stakeholders to preserve the archaeological sites under constant deterioration. The pigments used in prehistoric paintings present high light sensitivity and rigorous scientific color degradation mapping is not usually undertaken in overall archaeological sites. Microfading spectrometry is a suitable technique for determining the light-stability of pigments found in rock art paintings in a non-destructive way. Spectral data can be transformed into colorimetric information following the recommendations published by the Commission …
Documenting carved stones by 3D modelling – Example of Mongolian deer stones
2018
Rock art studies are facing major technical challenges for extensive documentation. Nowadays, recording is essentially obtained from time-consuming tracing and rubbing, techniques that also require a high level of expertise. Recent advances in 3D modelling of natural objects and computational treatment of the modelled surfaces may provide an alternative, and reduce the current documentation bottleneck. The aim of this study is to examine the extent to which such treatments can be applied. The case study presented here concerns the famous deer stones erected by ancient Mongolian nomad populations. The 3D acquisition workflow is based on structure-from-motion, a versatile photogrammetric tech…
New observations on a pottery fragment with incised deer from the Cova de lâOr (Beniarés, Alacant)
2007
The red external surface of a vessel, decorated with an incised group of deer from Cova de l’Or, has been long considered characteristic of the application of the almagra technique. However, the results of the elemental analysis of this fragment, compared with the results of another vessel with almagra decoration from the same site, call into question the application of this technique in the first vessel. In addition, searching for parallels for the schematic incised motifs of the vessel, in both ceramic decorations and rock art, we have concluded that rather than deer the represented animals are hinds.
Documenting carved stones from 3D models. Part II - Ambient occlusion to reveal carved parts.
2021
10 pages; International audience; Revealing carved parts in rock art is of primary importance and remains a major challenge for archaeological documentation. Computational geometry applied to 3D imaging provides a unique opportunity to document rock art. This study evaluates five algorithms and derivatives used to compute ambient occlusion and sky visibility on 3D models of Mongolian stelae, also known as deer stones. By contrast with the previous companion work, models are processed directly in 3D, without preliminary projection. Volumetric obscurance gives the best results for the identification of carved figures. The effects of model resolution and parameters specific to ambient occlusio…
A laboratory cave for the study of wall degradation in rock art caves : an implementation in the Vézère area
2013
The aim of this proposal is to present an original approach to the study and preservation of rock art caves. A multidisciplinary study of cave wall alteration will be performed to understand the impact of environmental context on the evolution of wall surfaces. The approach involves the choice of a cave with characteristics similar to painted caves in the studied area (Vézère Valley in Dordogne, France): e.g., cave wall alteration, lithology, morphology, etc. This selected cave is intended to become a laboratory cave, monitored for the acquisition of chemical, physical and biological environmental data on bedrock, air and fluids along with their characteristics. A cave without art or archae…
Terrestrial laser scanning and close range photogrammetry for 3D archaeological documentation: the Upper Palaeolithic Cave of Parpalló as a case study
2010
Graphic and metric archaeological documentation is an activity that requires the capture of information from different sources, accurate processing and comprehensive analysis. If monitoring of the state of conservation is required, this task has to be performed before intervention, during and after the completion of the works in a repetitive way. This paper presents the use of terrestrial laser scanning (TLS) in order to effectively produce, prior to intervention, accurate and high-resolution 3D models of a cave with engravings dating back to the Upper Palaeolithic era. The processing of the TLS data is discussed in detail in order to create digital surface models. The complexity of the cav…
The impact of arthropods on fungal community structure in Lascaux Cave
2009
Aims: To determine the major components of the fungal population present in Lascaux Cave, France. The ceiling, walls, sediments and soil were colonized by Fusarium solani in 2001 and later, in 2006, black stains appeared. However, the origin of the successive fungal invasions is unknown as well as the ecology of the cave. Methods and Results: The primers nu-SSU-0817F and nu-SSU-1536R were used for the direct amplification of fungal 18S-rDNA sequences from 11 samples. A total of 607 clones were retrieved. Eight out of the ten most abundant phylotypes corresponded to fungi associated with arthropods and represented about 50% of the clones. Conclusions: Entomophilous fungi play an important ro…